S-04
Capability 04 / 04
Film & Story
We run an AI-native film pipeline — script audits, screenplays, storyboards, and production — on tooling we build ourselves. The story still comes first; AI just means we test ten versions of it before the crew is ever called.
How we approach it
A film is not a feature list read aloud over music. We find the one true thing worth saying, then spend the budget defending it.
// AI
Our Speciality
An AI-native film pipeline.
We write, audit, board, and shoot with AI in the loop at every stage — not to replace the people who make films, but to give them ten times the passes. A draft that used to take a fortnight to pressure-test now takes an afternoon, so the version that reaches the floor is the tenth idea rather than the first.
AI-01
Diagnosis
AI Script Audits
A screenplay put through structural analysis before anyone commits budget to it. We map the beats against the structure the script is actually trying to use, time the acts, and surface the places where tension flattens or a character stops wanting anything.
You get
Annotated script + beat map + prioritised rewrite notes
Beat map with act timings and midpoint placement
Character arc tracking — wants, obstacles, and change per act
Dialogue distinctiveness scoring: can you tell who is speaking with the names hidden?
Scene economy pass — which scenes carry no story weight
Pacing curve across the full script, flagged against comparable titles
AI-02
Development
AI Screenplays
From a premise to a formatted draft with a human holding the pen throughout. The model proposes loglines, structures acts on a beat board, and drafts scenes in distinct character voices; the writer selects, cuts, and rewrites. Every suggestion is editable, and nothing ships unread.
You get
Industry-formatted draft + beat board + revision history
Logline and premise exploration across multiple structural options
Beat board built before prose, so structure is argued first
Scene drafting in industry-standard format
Per-character voice models to keep dialogue separable
Rewrite engine for pacing, tone, and length passes
AI-03
Pre-Visualisation
AI Storyboarding
Boards generated straight from the script with characters and locations held consistent across every panel — so the board reads as one film rather than a mood collage. Shot grammar is explicit: size, lens, angle, and movement per panel.
You get
Boards + animatic + shot list ready for production
Character and location consistency locked across panels
Shot size, lens, angle, and movement annotated per frame
Coverage checks — flags scenes cut without an establishing or reverse
Animatic assembly with scratch timing for pacing decisions
Shot list and continuity notes exported for the floor
AI-04
Production & Post
AI Film Making
Generative and assistive tooling used across the shoot and the edit — pre-visualising setups before the crew is called, extending plates, cleaning audio, and assembling first cuts against the board so the editor starts from a structure rather than a bin of clips.
You get
Pre-viz, assembly cut, and delivery masters in every format
Pre-visualisation of setups, blocking, and lighting before the shoot day
Generative plate extension, clean-up, and set dressing in post
Speech enhancement and dialogue repair on location audio
Assembly cuts aligned to the approved board
Automatic vertical and social reframes that respect the composition
Our Own Studio Tool
OP2
An AI screenwriting studio that drafts scenes, shapes character arcs, and formats to industry standard.
Beat-board structure
Scene drafting
Character voice models
Rewrite engine
// 01
What You Can Deploy
Engagements, not brochures.
04 OFFERS
P-01
Brand Film
Script-first
Boarded before shoot
Hero + cutdowns
A hero film built on a narrative spine rather than a bullet list — premise, script, and board agreed before the crew is called, so the shoot is execution rather than discovery.
P-02
Story System
Narrative spine
Reusable by the team
Campaign-agnostic
The messaging architecture underneath everything else: the core narrative, proof points, and language your team can reuse across campaigns, decks, and product launches without drifting.
P-03
Campaign Kit
One shoot, many formats
Vertical planned in
Stills included
One shoot planned for many surfaces — hero film, social cutdowns, vertical edits, and stills — with the formats designed into the board instead of cropped in afterwards.
P-04
Founder & Documentary
Interview-led
Structured in edit
Long + short cuts
Interview-led films that sound like a person rather than a press release — structured in the edit, where the real story usually turns out to be different from the brief.
// 02
Inside the Discipline
What we actually do here.
01
Brand Films
Films that carry a proposition without reciting it, built on a narrative spine instead of a feature list.
02
Story Frameworks
Messaging architecture and narrative structure a team can reuse long after the campaign ends.
03
Production
Direction, cinematography, and on-set supervision scoped to the story rather than to the equipment list.
04
Post & VFX
Edit, grade, sound, and visual effects, where pacing is treated as a story decision, not a technical one.
05
AI-Assisted Development
Screenwriting and pre-visualisation accelerated with our own studio tooling — with a human holding the pen.
06
Photography & Stills
Campaign and product photography captured alongside the film, so one production feeds every surface.
// 03
Where It Applies
Applications in the field.
The same discipline, pointed at different problems. These are the shapes this work most often takes.
01
Brand Launch
Anthem films and identity campaigns that introduce a company on its own terms.
02
Product Marketing
Explainer and demo films that make a complex product legible in ninety seconds.
03
Founder Story
Investor and recruitment films that carry conviction without sounding rehearsed.
04
Healthcare & Trust
Patient and practitioner stories handled with the restraint the subject deserves.
05
Consumer & Packaging
Product films and stills built around how the thing actually feels in the hand.
06
Social & Performance
Vertical-first cutdowns designed for the feed rather than cropped for it.
// 04
How It Runs
Four phases, in order.
01
Premise
Find the one true thing the film is about, and what the audience should feel and do by the end of it.
02
Story & Board
Structure the beats, write the script, board the shots — where changes cost hours instead of shoot days.
03
Production
Shoot against the board, leaving room for the accidents worth keeping, tracking continuity and coverage throughout.
04
Post & Release
Cut for pace, grade for tone, mix for clarity — then deliver every format the campaign actually needs.
// 05 Toolkit
What we build with
ARRI / RED
DaVinci Resolve
Premiere Pro
After Effects
Cinema 4D
Pro Tools
Frame.io
Oscar Papa 2
// 06
Deployed
Film & Story in the field.
All Missions
